アートマン
ĀTMAN is a visual tour-de-force based on the idea of the subject at the centre of the circle created by camera positions (480 such positions). Shooting frame-by-frame the filmmaker set up an increasingly rapid circular motion. ĀTMAN is an early Buddhist deity often connected with destruction; the Japanese aspect is stressed by the devil mask of Hangan, from the Noh, and by using both Noh music and the general principle of acceleration often associated with Noh drama.
Fundida:
Equipe técnica: 松本俊夫 (Director), Toshie Iwasa (Editor), Matsuo Ohno (Sound Designer), 一柳慧 (Music), 山崎博 (Director of Photography)
Palavra-chave:
アートマン 1975
avant-garde
experimental
Matsumoto Production
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