There is Nothing Left of the sea but its Sound
A reflection on the landscape and a dialogue with the welsh poet Dylan Thomas. Images are in-camera editing, three Super 8 cartridges of three minutes by chapter. All four chapters or ‘territories’ are dialectical connexions between sound and image, improvisation related to the image, and montage thought through the sound.
Gênero:
Fundida: Michaël Joyce, Michele Joyce, Ian Joyce
Equipe técnica: Leïla Colin-Navaï (Director), Ian Joyce (Music), Joel Grip (Music)
Palavra-chave:
There is Nothing Left of the sea but its Sound 1970
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