O somma luce
In darkness, we hear a recording of the scandalous 1954 debut performance of Edgar Varèse’s revolutionary Déserts at the Théâtre des Champs-Élysées. Then, in a different sort of Elysian Field, we hear a recitation of Canto XXXIII from The Inferno, a final vision of the Divine Light, in which Dante apprehends the will and desire of man in perfect harmony with the love of God.
Gênero:
Fundida: Giorgio Passerone
Equipe técnica: Jean-Marie Straub (Director), Catherine Quesemand (Editor), Jean-Paul Toraille (Director of Photography), Jean-Marie Straub (Screenplay), Dante Alighieri (Book)
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