3/60: Bäume im Herbst
The first embodiment of (a) concept of structural activity in cinema comes in Kren's Bäume im Herbst, where the camera as a subjective observer is constrained within a systematic or structural procedure, incidentally the precursors of the most structuralist aspect of Michael Snow's later work. In this film, perception of material relationships in the world is seen to be no more than a product of the structural activity in the work. Art forms experience.
Palavra-chave:
3/60: Bäume im Herbst 1960
tree
black and white
autumn
short film
experimental
3/60: Bäume im Herbst Assistir
3/60: Bäume im Herbst online grátis
3/60: Bäume im Herbst dublado
3/60: Bäume im Herbst legendado
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